“Wonders never cease,” as is often said and I’m always amazed how archaeological discoveries in the past century have revealed more about life in ancient times than the past thousand years of evidence. I hope this is encouraging to young people contemplating careers in history and related fields. A team of Italian archaeologists excavating near Tripoli near the ancient seaside village of Buc Ammera in the early 1900s uncovered the substantial (19 x 13 feet) and well preserved mosaic floor of a Roman villa. Named for the area’s principal oasis, these and other smaller Zliten mosaics date to about 200 AD and include a colorful allegory of summer showing a winged, sickle bearing Ceres holding grain stalks, as well as depictions of everyday life that feature a remarkable threshing scene. Libyan coloni are shown beating pairs of horses and oxen to lead them around a wide pile of grain stalks. A large tree heavy with ripened olives shades an aristocratically clad woman who appears to supervise the operation as it takes place below a substantial Roman country villa. The artist’s depiction of the figures in action imparts a sense of their boisterous tasks that likely took place on the estate day after day beneath the hot North African sun.

Zliten Threshing Mosaic (c. 200 AD), 22 ⅘ x 22 ⅘ inches Detail showing Libyan coloni leading horses and oxen, Archaeological Museum, Tripoli; Wikimedia Commons
Zliten Threshing Mosaic (c. 200 AD), 22 ⅘ x 22 ⅘ inches
Detail showing Libyan coloni leading horses and oxen,
Archaeological Museum, Tripoli; Wikimedia Commons

The shape of the one-handed sickle and mode of threshing in the Zliten mosaics suggest that the harvest methods known from ancient times had changed little by the third century AD’s cusp of Roman Empire expansion and continental influence. The era would witness displacement by the end of the first millennium AD of older unbalanced sickle forms long used as far away as Scandinavia and central Russia. The famous Maktar Harvester funerary stele inscription, discovered a century ago in central Tunisia, likely dates to the third century AD and relates a reaper’s prideful account of being “born into a poor dwelling and of a poor father” who nevertheless managed through years of hard work in the harvest fields and capable management of roving bands of itinerant harvesters (turmae mesorum) to become a Roman censor. Seasonal migrations of “sickle-bearing gangs of men” brought annual journeys to North Africa’s “Fields of Jupiter” and across the vast fertile plains of Numidia. The Harvester’s epitaph relates, “This effort and my frugal life brought success and made me master of a household and gained me a house, and my home lacks nothing.” Enduring rural values of hard work and honesty are implicit in the rather fulsome tribute, which the author concludes with counsel for his readers: “laedit atrox discite mortals… (Learn to pass your lives without giving reason for reproach).”
Pliny’s Natural History describes use of sledges, flails, and the hooves of horses to separate out the kernels on hardened threshing floors. He also notes the existence of a remarkable harvesting device he termed a vallus that he had seen in use during his time of Roman military service in Gaul. Pliny described it as, “a large hollow frame, armed with teeth and supported on two wheels, …driven through the standing grain, the beasts being yoked behind it. The result is that the ears are torn off and fall within the frame.” Twentieth century discoveries of limestone funerary bas-reliefs of this Gallic-Roman reaper, which functioned more like a stripper with stationary serrated teeth that collected ripened grain heads in the storage receptacle, have been discovered in Arlon, Reims, and Koblenz. The image of this remarkable device also appears on the decorative panels of Reims’ immense third century AD Porte de Mars. Standing nearly forty feet high, the city’s grand Mars Gate featured colorful calendar scenes, now substantially deteriorated, above the central vault that show rural labors associated with each month.
Trier Gallic-Roman Reaper Bas-Relief Reconstruction (c. Third Century AD) Trier Archaeological Museum, Trier, Germany Wikimedia Commons
Trier Gallic-Roman Reaper Bas-Relief Reconstruction (c. Third Century AD)
Trier Archaeological Museum, Trier, Germany
Wikimedia Commons